Versklavte Replikanten und die Konstruktion von »Whiteness« in Blade Runner und Blade Runner 2049
نویسندگان
چکیده
منابع مشابه
Blade Runner and the Postmodern: A Reconsideration
The ambivalence implicit in the two versions of Ridley Scott's Blade Runner (1982; "Director's Cut," 1992) echoes the diverse and divided critical responses to the film(s). Indeed, this film about authenticity and simulation has been so thoroughly interpreted and rewritten—by even its director—that a naive return to the "original" is, perhaps fittingly, untenable. This essay does not advance a ...
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ژورنال
عنوان ژورنال: Nummer 1 – 2020
سال: 2020
ISSN: 2192-0885
DOI: 10.16995/zff.785